Wednesday, 5 December 2012
Research History of Editing - Unit 16.1
https://docs.google.com/open?id=0B0ixoNHFGmoJekhITUtDd1dmN1E
Thursday, 22 November 2012
Wednesday, 21 November 2012
Unit 16.2 - Edit Decision List - Short Film
https://docs.google.com/open?id=0B0ixoNHFGmoJMnFCd0tkOVNBTzA
Unit 4 Point 1 - Call Sheet - Short Film
https://docs.google.com/open?id=0B0ixoNHFGmoJRHhHNHIxRW5BNVk
Unit 4 Point 1 - Treatment Short Film
https://docs.google.com/file/d/0B0ixoNHFGmoJSjFwNkh6amNOY0E/edit
Unit 4 - Point 1 - Budget Sheet Short Film
https://docs.google.com/open?id=0B0ixoNHFGmoJMHp0ckpWbTNjZWs
Tuesday, 20 November 2012
Unit 4 Point 3 - Production Log - Short Film
Production Log
Over the summer holiday we had a scriptwriter assignment.
Once we did, we had to give out a pitch to the class, so that they could give
feed back on the script. Once that was done, we were given a short film
assignment to make our script on screen.
On September 12th
– 19th, I used StarNow to find
actors. Most of them were from London and Birmingham but they were able to travel to Lichfield . Once I picked all my seven actors, I send them
the script three weeks earlier so they can learn their lines, so we can film on
the actual day without any mistakes.
I needed a crew so I chose Chevy for Cinematography, Josh
Coleman for second camera unit, Keilan for sound and Duane for assistant
cameraman as it's also for our own production 'Miscellaneous Films'.
I bought the gun lighter as a prop and had my own hats to
see what looks good for the detective. I got an old clock by my neighbor.
During the summer holiday, August and start of September, I
got the location which is a dining room in 'The George Hotel' in Litchfield City . The Dining room looks old from
1950's. The manger nicely let us use the room for free, he gave us the wine
classes, table white clothes for props. The manger let me knew what days I
could film in the room, which are 8th Monday and 9th
Tuesday could have it from 8am to 7pm.
On 5th
October the equipment we took out was the
DLSR Camera, Zoom Mic, Boom Pole, Lens, and Dolly which was very important
to use as they were the intro and ending shots.
On 8th
October, I told the crew to be hour and
half earlier so we could set up the props and equipment. Duane and I
got their first at 9am. We talked about where we should place the crime
scene/dining table and the suspect circle. So we decided to set up the dining
table in the centre of the room, above it is a chandelle. We made a suspect
circle as we took the six chairs down the end of the room where there is a
fireplace and mirror. We discussed about how we should use the lights in the
room, how the short film should begin to have the detective to say his lines at
the start while his walking to the suspects circle.
10.30 am, Josh, Chevy and Keilan came on set. Then I had a
text from Will playing the Detective saying he missed his train and will be
late. Between 10.30am to 11am the six actors arrived. We were hoping to film at
11am but we couldn’t start because Will is in every shot. So I decided to go
through the script with the actors, to see how they do and to see if I had to
tell them, If it was good or not. I told my crew to set up the equipment and
test out some shots on the dolly.
Once I finished rehearsing with actors, gave out pointers
to them, I went to Cinematographer to see how the dolly shots looks for
following the feet of the detective. But the shot didn’t work because we
couldn’t go low enough to get the feet in so Josh and Chevy came up with a
different shot. The shot was a wide shot, where the detective comes out from
the door, we see his silhouette, where the dolly starts from one end of the
dinning table we also see a wine glass. Then the camera follows the detective
walking beside the dining table without seeing his face.
Then I told the actor to get chance in their costumes. We
set up the lights to make it noir lighting and we dimmed the lamps and
chandelles, to give that noir and coldness feel to it. Then hour and half later,
12.30pm, Will finally arrive. Gave him some hats of which he thinks suits the
character. I went through the first of his lines and told him the change that
he will be walking beside the dining table to the suspects while he says his
lines. I broke up his lines where he should start and stop his lines during
different shots.
I rehearsed with Will, showing him what he needs to do.
Once he was clear what he was doing, we finally started filming. Will had a lot
of lines to learn, so he messed up a few times in shots, so we took a lot of
takes to get it right. We moved on to a mid-shot of the detective where we
finally see his face, and smells the drink and walks to the body, as the camera
follows his arms to cover up the dead body’s feet with the sheet. Josh took
extra and other shots as he was second unit cameraman, as he took a mirror shot
while Detective was walking by dining table. A silhouette of the fallen chair,
as you can see detective’s feet walking pass. Then the next shot was the
Detective walking into the circle towards the mirror. We filmed the shots in
order, so we could play out the whole story and see how it goes and to know
each action in each shot so we won’t make a mistake.
In all the shots between the Detective and Suspect we
filmed it mid-shots. We wanted to the Suspect to feel like they have been
cornered and have something to hide. With the Detective being a little away
from the Suspect, to show he is in control and that he doesn’t trust them and
he isn’t their friend. The shot changes when ‘Miss Slayer’ – Olivia is dying as
she coughs and stands up – the shot is a wide shot as she falls, Detective, Dr
Sinner and Mr. Black rush to her. Then we went to hand-held for Dr Sinner checking
her pulse to show shock and distress. Once Dr Sinner and Mr. Black sit down the
next shot was a Close-up of the Detective’s face reveling the murderer as it
was a pan, as once he said the name, the camera pans to the murderer, which was
Miss Paddington.
Then we went back to the mid-shots of Detective and Miss
Paddington to show she is cornered and unmasked. Next shot was a dolly shot as
it goes pass Miss Paddington holding her gun as there is a knock at the door.
The dolly moves towards to show the door. The shot was to show that there was
no escape and the police want to arrest her as they are drawing her in. Next
shot would be her to grab the detective, a mid shot. Then we did another dolly
shot, same shot back from the first dolly shot as we wanted to have the same
feel of coming in and out of the room. The dolly follows them walking towards
the door. When they stop, the dolly stops as the Detective opens the door.
Then we did the reaction shots of each suspect when they
are listening to the detective while he is walking, when Dr Sinner says his an morphine
addict, When Miss Slayer is dead, Miss Paddington reveled as murderer, and gun
revels. I shouted out this, so they can give me a reaction from each action.
The last shot for the five actors before they left were a hand-held shot where
they laugh as everything is reveled that it’s in modern day. I said to them
laugh and imprecise of what your saying, gave them examples of what to say. The
camera went around the room to capture everyone, included when Miss Slayer gets
up, as she is not dead. We did the last scene for Detective, Miss Paddington
and Pizza Guy.
We set the camera to film in colour for last scene. We were
in a rush to finish it as almost time to leave the room. Most shots were mid,
over the shoulder and close-ups. The last shot was a close-up of Miss
Paddington out of the room, as she turns to face the camera to wink towards the
audience to say ‘We trick you’, it isn’t a murder. We finished at 7.30pm. We
got it all filmed and done on that day, didn’t need to film the next day. I
felt it went really well, I am please with the work, actors and crew and what
we filmed.
On 25th
October, I booked out the college studio,
with the DSLR Camera, light kit and Micro Lens for an extreme close-up of the
eyes; this was for the intro/title sequence for the short film. We used two
different people one female and one male to see which walks better. We had a
pan side from one eye to the other. Then we did a shot extreme close-up of the
eye. I directed them when to wink their eye, and have their eye wide to show
shock and then I told them to wink again. All the filming is finished.
Monday, 19 November 2012
Unit 4 Point 1 - Shot List - Short Film
https://docs.google.com/open?id=0B0ixoNHFGmoJeFN2T3pMQTR2LTg
Thursday, 4 October 2012
Thursday, 27 September 2012
Thursday, 13 September 2012
Tuesday, 11 September 2012
Tuesday, 4 September 2012
Sunday, 2 September 2012
Unit 4 Point 2 - Research - Two Scripts (The Genre I'm Writing)
Clue - Script Exanple 1
https://docs.google.com/document/d/1VHLoq3Y3WGEMYztn8B-uwmQh8oPozSwQs1Mo67XypO0/edit
Research Notes on Clue
https://docs.google.com/document/d/1AF2q-1IA9RFpQwtIWbAPc81ii9XHim9RfZ9D6kOOKns/edit
The Thin Man - Script Example 2
https://docs.google.com/document/d/1TbQCpl1CiK9Gyi_SoDmArJ_WicjvNTrOyuNqF8I8kIc/edit
Research Notes on The Thin Man
https://docs.google.com/document/d/10CDo2OR6GIfmnETrwSGYj407r8bwH-Whkv45OSPPX0Y/edit
https://docs.google.com/document/d/1VHLoq3Y3WGEMYztn8B-uwmQh8oPozSwQs1Mo67XypO0/edit
Research Notes on Clue
https://docs.google.com/document/d/1AF2q-1IA9RFpQwtIWbAPc81ii9XHim9RfZ9D6kOOKns/edit
The Thin Man - Script Example 2
https://docs.google.com/document/d/1TbQCpl1CiK9Gyi_SoDmArJ_WicjvNTrOyuNqF8I8kIc/edit
Research Notes on The Thin Man
https://docs.google.com/document/d/10CDo2OR6GIfmnETrwSGYj407r8bwH-Whkv45OSPPX0Y/edit
Monday, 20 August 2012
Sunday, 10 June 2012
Wednesday, 6 June 2012
Unit 5 Point 4 - Short Film - Audience Feedback
Please comment my Short Film
Here is the Link
https://docs.google.com/spreadsheet/ccc?key=0AkixoNHFGmoJdDBMRmpJMEQtdlpraG9kYlBHNW5UdFE
Here is the Link
https://docs.google.com/spreadsheet/ccc?key=0AkixoNHFGmoJdDBMRmpJMEQtdlpraG9kYlBHNW5UdFE
Friday, 18 May 2012
Unit 5 Point 2 - Short Film-Storyboards
https://docs.google.com/open?id=0B0ixoNHFGmoJVjQ4N3QtUkhwODg
https://docs.google.com/open?id=0B0ixoNHFGmoJeVJrUjU0cnA1Z2M
https://docs.google.com/open?id=0B0ixoNHFGmoJanpIQ24yVjE4X28
https://docs.google.com/open?id=0B0ixoNHFGmoJZEVvdWNxVHMtRjg
https://docs.google.com/open?id=0B0ixoNHFGmoJMm5VcjFxOFpRdHc
https://docs.google.com/open?id=0B0ixoNHFGmoJbGFXS3BrZnBsMGc
https://docs.google.com/open?id=0B0ixoNHFGmoJTDdHVUIwZVFEM2s
https://docs.google.com/open?id=0B0ixoNHFGmoJV3hWYW5iMjkzMWs
https://docs.google.com/open?id=0B0ixoNHFGmoJQjVPYVJtQV9WbHc
https://docs.google.com/open?id=0B0ixoNHFGmoJcldha0l5TzlHdm8
https://docs.google.com/open?id=0B0ixoNHFGmoJOG5vRk52S3laejg
https://docs.google.com/open?id=0B0ixoNHFGmoJY1dnVXpYdktkX00
https://docs.google.com/open?id=0B0ixoNHFGmoJSEh6UmxSbkpXU3M
https://docs.google.com/open?id=0B0ixoNHFGmoJYjluRXJud3J6MDg
https://docs.google.com/open?id=0B0ixoNHFGmoJOTNPWjhQNWE0WlE
https://docs.google.com/open?id=0B0ixoNHFGmoJSUZ3TTZZTGpKeWs
https://docs.google.com/open?id=0B0ixoNHFGmoJMTVIM1UwXzlJczA
https://docs.google.com/open?id=0B0ixoNHFGmoJUVF4V2JWNDJiM0E
https://docs.google.com/open?id=0B0ixoNHFGmoJeGVEdUF6SUx0TEk
https://docs.google.com/open?id=0B0ixoNHFGmoJLTR0cFVoQWNqLXc
https://docs.google.com/open?id=0B0ixoNHFGmoJLTR0cFVoQWNqLXc
https://docs.google.com/open?id=0B0ixoNHFGmoJZFBMU3pHLUpyVXc
https://docs.google.com/open?id=0B0ixoNHFGmoJc0JUZHUyQUI0bjg
https://docs.google.com/open?id=0B0ixoNHFGmoJemV0QWZGVjBtT1U
https://docs.google.com/open?id=0B0ixoNHFGmoJeVJrUjU0cnA1Z2M
https://docs.google.com/open?id=0B0ixoNHFGmoJanpIQ24yVjE4X28
https://docs.google.com/open?id=0B0ixoNHFGmoJZEVvdWNxVHMtRjg
https://docs.google.com/open?id=0B0ixoNHFGmoJMm5VcjFxOFpRdHc
https://docs.google.com/open?id=0B0ixoNHFGmoJbGFXS3BrZnBsMGc
https://docs.google.com/open?id=0B0ixoNHFGmoJTDdHVUIwZVFEM2s
https://docs.google.com/open?id=0B0ixoNHFGmoJV3hWYW5iMjkzMWs
https://docs.google.com/open?id=0B0ixoNHFGmoJQjVPYVJtQV9WbHc
https://docs.google.com/open?id=0B0ixoNHFGmoJcldha0l5TzlHdm8
https://docs.google.com/open?id=0B0ixoNHFGmoJOG5vRk52S3laejg
https://docs.google.com/open?id=0B0ixoNHFGmoJY1dnVXpYdktkX00
https://docs.google.com/open?id=0B0ixoNHFGmoJSEh6UmxSbkpXU3M
https://docs.google.com/open?id=0B0ixoNHFGmoJYjluRXJud3J6MDg
https://docs.google.com/open?id=0B0ixoNHFGmoJOTNPWjhQNWE0WlE
https://docs.google.com/open?id=0B0ixoNHFGmoJSUZ3TTZZTGpKeWs
https://docs.google.com/open?id=0B0ixoNHFGmoJMTVIM1UwXzlJczA
https://docs.google.com/open?id=0B0ixoNHFGmoJUVF4V2JWNDJiM0E
https://docs.google.com/open?id=0B0ixoNHFGmoJeGVEdUF6SUx0TEk
https://docs.google.com/open?id=0B0ixoNHFGmoJLTR0cFVoQWNqLXc
https://docs.google.com/open?id=0B0ixoNHFGmoJLTR0cFVoQWNqLXc
https://docs.google.com/open?id=0B0ixoNHFGmoJZFBMU3pHLUpyVXc
https://docs.google.com/open?id=0B0ixoNHFGmoJc0JUZHUyQUI0bjg
https://docs.google.com/open?id=0B0ixoNHFGmoJemV0QWZGVjBtT1U
Tuesday, 24 April 2012
Saturday, 31 March 2012
Friday, 30 March 2012
Wednesday, 21 March 2012
Unit 29 Point 4 - Music Video Editing Discision List
Edit list
Card Number
|
Shot Number
|
In Point
|
Out Point
|
Description of Shot
|
2
|
17
|
00:00:02
|
00:00:10
|
Strickland walking in the pub -MS
|
2
|
5
|
00:00:14
|
00:00:19
|
Strickland sitting on the table –MS
|
2
|
3
|
00:00:08
|
00:00:13
|
Loan Shark “Where’s my money?” -OTS
|
2
|
5
|
00:00:14
|
00:00:21
|
Strickland “Not on me now...” -OTS
|
2
|
3
|
00:00:20
|
00:00:33
|
Loan Shark “I can’t I still got...” -OTS
|
2
|
6
|
00:00:36
|
00:00:39
|
Strickland staring to Loan Shark in shock –OTS
|
2
|
3
|
00:00:41
|
00:00:52
|
Loan Shark “so on and so on still you pay it all back” -OTS
|
2
|
5
|
00:00:49
|
00:00:54
|
Strickland “But I can’t pay you back...” -OTS
|
2
|
3
|
00:00:56
|
00:01:06
|
Loan Shark “You better do something about it then...” -OTS
|
2
|
9
|
00:01:10
|
00:01:22
|
Loan Shark “All that money for a shit album – Two Shot
|
2
|
11
|
00:00:05
|
00:00:18
|
Strickland standing and takes a big breath and walks out of the shot - MS
|
1
|
4
|
00:00:06
|
00:00:11
|
Studio – Strickland coming into the light - CU
|
3
|
7
|
00:00:04
|
00:00:09
|
Strickland walking on the pavement - MS
|
3
|
11
|
00:00:02
|
00:00:08
|
Strickland puts his hand on the wall and walks - MS
|
3
|
11
|
00:00:12
|
00:00:16
|
Strickland leans his back onto the wall and takes of his top button -MS
|
3
|
11
|
00:00:20
|
00:00:25
|
Strickland losing his breath/ in a shock - MS
|
1
|
2
|
00:00:32
|
00:00:39
|
Studio – Strickland singing - MS
|
3
|
11
|
00:00:27
|
00:00:31
|
Strickland at the wall, singing - MS
|
1
|
3
|
00:00:55
|
00:01:02
|
Studio – Strickland singing -CU
|
2
|
21
|
00:00:04
|
00:00:08
|
Strickland walking into the living room - MS
|
2
|
24
|
00:00:03
|
00:00:11
|
The girlfriend coming into the living room - MS
|
2
|
21
|
00:00:08
|
00:00:12
|
Strickland looking towards his girlfriend - MS
|
2
|
26
|
00:00:01
|
00:00:10
|
Strickland going towards his Girlfriend – Two Shot
|
2
|
28
|
00:00:12
|
00:00:20
|
Strickland explaining – Two Shot
|
2
|
30
|
00:00:31
|
00:00:36
|
The Girlfriend gets angry to Strickland – Two Shot
|
2
|
31
|
00:00:07
|
00:00:15
|
They get into an argument – Two Shot
|
2
|
33
|
00:00:12
|
00:00:16
|
The Girlfriend slaps Strickland –Two Shot
|
2
|
35
|
00:00:02
|
00:00:06
|
Strickland going towards her as his angry – Two Shot
|
1
|
2
|
00:02:35
|
00:02:41
|
Studio – Strickland singing - MS
|
2
|
38
|
00:01:03
|
00:01:09
|
Strickland and Girlfriend arguing – Two Shot
|
2
|
41
|
00:02:47
|
00:02:52
|
Strickland singing to the girlfriend - OTS
|
1
|
5
|
00:02:55
|
00:03:01
|
Studio – Strickland Singing - MS
|
2
|
44
|
00:00:02
|
00:00:07
|
Girlfriend can’t take it anymore and goes into the kitchen - OTS
|
1
|
2
|
00:03:14
|
00:03:21
|
Studio – Strickland Singing - MS
|
2
|
46
|
00:00:03
|
00:00:16
|
Girlfriend has her coat and handbag and about to walk out till Strickland grabs her arm – Two Shot
|
1
|
3
|
00:03:23
|
00:03:28
|
Studio – Strickland singing/sitting on a stall - CU
|
2
|
51
|
00:00:02
|
00:00:07
|
Girlfriend stares in anger at Strickland and walks out - OTS
|
2
|
51
|
00:00:10
|
00:00:15
|
Strickland slams the door - MS
|
2
|
52
|
00:00:05
|
00:00:13
|
Strickland drops down against the door - MS
|
2
|
53
|
00:00:17
|
00:00:24
|
Strickland is scared - CU
|
1
|
2
|
00:03:22
|
00:03:26
|
Studio - Strickland singing - MS
|
2
|
62
|
00:00:04
|
00:00:09
|
Strickland putting on a recorded - CU
|
2
|
62
|
00:00:12
|
00:00:15
|
Strickland getting his drink - MS
|
2
|
62
|
00:00:17
|
00:00:21
|
Strickland listening to the recorded and drinking - MS
|
1
|
2
|
00:03:37
|
00:003:41
|
Studio – Strickland singing - MS
|
2
|
65
|
00:02:31
|
00:02:33
|
Strickland sitting on the dining table/singing - LS
|
2
|
64
|
00:02:37
|
00:02:43
|
Strickland sitting on the dining table - CU
|
2
|
63
|
00:02:46
|
00:02:50
|
Strickland sitting on the dining on the table - MS
|
1
|
3
|
00:03:56
|
00:04:03
|
Studio – Strickland Singing - CU
|
2
|
54
|
00:02:57
|
00:03:03
|
Strickland staring into the mirror/singing - OTS
|
2
|
57
|
00:03:23
|
00:03:28
|
Strickland sitting on the floor having his back against the mirror - CU
|
2
|
60
|
00:01:15
|
00:01:21
|
Strickland standing next to the wall, mirror reflecting - MS
|
1
|
2
|
00:04:13
|
00:04:19
|
Studio – Strickland singing - MS
|
1
|
63
|
00:03:27
|
00:03:32
|
Strickland sitting on the dining table/singing - MS
|
2
|
60
|
00:01:44
|
00:01:50
|
Strickland standing next to the wall, mirror reflecting - MS
|
2
|
59
|
00:01:37
|
00:01:43
|
Strickland lying on his bed - MS
|
1
|
3
|
00:03:55
|
00:04:01
|
Studio – Strickland singing - CU
|
2
|
64
|
00:03:15
|
00:03:22
|
Strickland sitting on the dining table/singing - CU
|
2
|
60
|
00:02:13
|
00:02:19
|
Strickland standing next to the wall, mirror reflecting - MS
|
2
|
57
|
00:03:47
|
00:03:52
|
Strickland sitting on the floor having his back against the mirror - CU
|
2
|
59
|
00:02:33
|
00:02:37
|
Strickland lying on his bed - MS
|
1
|
2
|
00:04:24
|
00:04:30
|
Studio – Strickland singing - MS
|
2
|
63
|
00:04:22
|
00:04:26
|
Strickland sitting on the dining table/singing - MS
|
2
|
54
|
00:02:46
|
00:02:51
|
Strickland staring into the mirror/singing - OTS
|
2
|
57
|
00:04:01
|
00:04:08
|
Strickland sitting on the floor having his back against the mirror - CU
|
2
|
60
|
00:02:49
|
00:02:52
|
Strickland standing next to the wall, mirror reflecting - MS
|
2
|
59
|
00:02:05
|
00:02:09
|
Strickland lying on his bed - MS
|
2
|
63
|
00:04:12
|
00:04:16
|
Strickland sitting on the dining table/singing - MS
|
1
|
5
|
00:04:37
|
00:04:41
|
Studio – Strickland singing the last lyrics and steps out of the light - CU
|
2
|
19
|
00:00:02
|
00:00:13
|
Camera following behind Strickland into the pub - MS
|
2
|
4
|
00:00:07
|
00:00:11
|
Loan Shark reading his newspaper and stares at Strickland - MS
|
2
|
15
|
00:00:03
|
00:00:08
|
Strickland walks to the table and sits - MS
|
2
|
13
|
00:00:15
|
00:00:18
|
Loan Shark “Is that my Money?” OTS
|
2
|
16
|
00:00:20
|
00:00:23
|
Strickland looking scared and confused - CU
|
2
|
16
|
00:00:25
|
00:00:28
|
Strickland’s Newspaper - CU
|
2
|
13
|
00:00:23
|
00:00:26
|
Loan Shark “Well?” - OTS
|
2
|
16
|
00:00:32
|
00:00:37
|
Strickland reveals the hidden gun in the newspaper - CU
|
2
|
13
|
00:00:33
|
00:00:37
|
Loan Shark leans back and puts his arms out from fear and shock - OTS
|
2
|
16
|
00:00:43
|
00:00:48
|
Strickland breath heavy and still holding the gun - CU
|
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